{"id":1473,"date":"2021-11-15T13:06:02","date_gmt":"2021-11-15T13:06:02","guid":{"rendered":"https:\/\/choras.lt\/?p=1473"},"modified":"2021-11-15T13:06:05","modified_gmt":"2021-11-15T13:06:05","slug":"itraukiantis-baroko-spektaklis-basso-ostinato-skambes-ir-lietuvos-kulturos-sostineje-neringoje","status":"publish","type":"post","link":"https:\/\/choras.lt\/index.php\/2021\/11\/15\/itraukiantis-baroko-spektaklis-basso-ostinato-skambes-ir-lietuvos-kulturos-sostineje-neringoje\/","title":{"rendered":"\u012etraukiantis baroko spektaklis \u201eBasso Ostinato\u201c skamb\u0117s ir Lietuvos kult\u016bros sostin\u0117je &#8211; Neringoje"},"content":{"rendered":"\n<p><br>Barokin\u0117s muzikos spektaklis BASSO OSTINATO po karantino i\u0161daig\u0173 v\u0117l atveria duris \u017ei\u016brovams ir si\u016blo pasinerti \u012f interaktyvaus spektaklio detektyv\u0105. Lietuvos publikai gerai atpa\u017e\u012fstamo, aktoriaus, cirko, gatv\u0117s teatro artisto, Adriano Schvarzsteino re\u017eisuotame spektaklyje, publika ne tik pajus baroko muzikos ir \u0161okio skonius, bet ir patys taps nepakartojamo spektaklio dalimi.<\/p>\n\n\n\n<p><br>Argentinoje gim\u0119s menininkas apie publikos paveikum\u0105 sako: \u201eA\u0161 juos nu\u017eudau. Tikrai! Kai kurie nu\u017eudomi, kai kurie turi \u0161okti ar daryti k\u0105 nors kit\u0105! (\u2026) Man nepatinka, kai \u017emon\u0117s tik s\u0117di ir \u017ei\u016bri (\u2026). Jeigu publika lieka pasyvi, spektaklis tampa koncertu, skambant tam tikrai muzikini\u0173 k\u016brini\u0173 sekai. O man patinka pasakoti istorijas. Juk kone visi yra mat\u0119 \u017eym\u0173j\u012f Franciso Fordo Coppolos film\u0105 &#8220;Krik\u0161tat\u0117vis&#8221;, visi \u017eino, kas yra Al Pacino ar kas yra gangsteriai?! Pateik\u0119s tai \u017ei\u016brovams, matai, kad jie patiria katarsio b\u016bsen\u0105, kuri\u0105 sukelia daugyb\u0117 spektaklio ingredient\u0173 \u2013 muzika, teatras, \u0161okis, erdv\u0117.\u201c<\/p>\n\n\n\n<p><br>Klausytojai tur\u0117s ne tik malonum\u0105 m\u0117gautis solist\u0173 &#8211; R\u016btos Vosyli\u016bt\u0117s ir Nerijaus Masevi\u010diaus (nuotr.) &#8211; kuriamais persona\u017eais, g\u0117r\u0117tis J\u016brat\u0117s \u0160irvyt\u0117s barokinio \u0161okio lengvumu ar Adriano Schvarzsteino provokuojana\u010diais aktoriniais vira\u017eais, bet tuo pa\u010diu tur\u0117s i\u0161skirtin\u0119 galimyb\u0119 klausytis profesionali\u0173 baroko muzikant\u0173, kaip viola da gamba atlik\u0117jo i\u0161 Austrijos Georg Kroneis, klavesino ir basso continuo profesionalo Marco Vitale i\u0161 Italijos ar Agnese Kanni\u0146a i\u0161 Latvijos barokinio smuiko bei lietuvi\u0173 baroko artist\u0173 \u2013 Ievos Baublyt\u0117s (i\u0161ilgin\u0117s fleitos, arfa, perkusija), Saulius Lip\u010diaus (barokin\u0117 gitara, luto forte) kuriamos senosios muzikos harmonijos.<\/p>\n\n\n\n<p><br>V\u0161\u012e \u201eSen\u0173j\u0173 men\u0173 studijos\u201c organizuojami spektakliai bus rodomi:<br>Lapkri\u010dio 19 d. 19 val. Vilniuje Vilniaus Universiteto teatro sal\u0117je;<br>Lapkri\u010dio 21 d. 12 val. Nidos bendruomen\u0117s namuose<br>Lapkri\u010dio 22 d. 18.30 val. Kretingos kult\u016bros namuose.<br>Bilietus platina www.Tiketa.lt &#8211; https:\/\/bit.ly\/3qQwqRR<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Lauryna Lopait\u0117<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barokin\u0117s muzikos spektaklis BASSO OSTINATO po karantino i\u0161daig\u0173 v\u0117l atveria duris \u017ei\u016brovams ir si\u016blo pasinerti \u012f interaktyvaus spektaklio detektyv\u0105. Lietuvos publikai gerai atpa\u017e\u012fstamo, aktoriaus, cirko, gatv\u0117s teatro artisto, Adriano Schvarzsteino&hellip; <\/p>\n","protected":false},"author":2,"featured_media":1475,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/1473"}],"collection":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/comments?post=1473"}],"version-history":[{"count":1,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/1473\/revisions"}],"predecessor-version":[{"id":1474,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/1473\/revisions\/1474"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media\/1475"}],"wp:attachment":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media?parent=1473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/categories?post=1473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/tags?post=1473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}