Prasisuk\u0119s per Lietuv\u0105, karo i\u0161 nam\u0173 i\u0161varyto Charkivo nacionalinio akademinio operos ir baleto teatro gastroli\u0173 ratas atried\u0117jo \u012f Vilni\u0173. LNOBT publika i\u0161vydo charkivie\u010di\u0173 operos ir baleto \u017evaig\u017ed\u017ei\u0173 Gala koncert\u0105 bei spektakl\u012f \u201eFort\u016bnos ratas\u201c pagal Carlo Orffo kantat\u0105 \u201eCarmina burana\u201c. <\/p>\n\n\n\n
Koncerto prad\u017eioje LNOBT generalinis direktorius Jonas Sakalauskas pasveikino Charkivo nacionalinio akademinio operos ir baleto teatro generalin\u012f direktori\u0173 Oleg\u0105 Orishchenko prie\u0161 kelias dienas min\u0117to asmeninio 60-me\u010dio proga ir \u012fteik\u0117 jam puok\u0161t\u0119 Ukrainos kovos su okupantais simboliu tapusi\u0173 gelton\u0173 saul\u0117gr\u0105\u017e\u0173 \u017eied\u0173. Ukrainieti\u0161ka simbolika mirg\u0117jo ir teatro foj\u0117: \u012f koncert\u0105 susirink\u0119 \u017ei\u016brovai entuziastingai fotografavosi su nacionaliniais kostiumais apsir\u0117d\u017eiusiais ukrainie\u010di\u0173 artistais.<\/p>\n\n\n\n
Po Lietuvos ir Ukrainos himn\u0173 scenoje nuskamb\u0117jo \u016adrio daina i\u0161 Vytauto Klovos operos \u201ePil\u0117nai\u201c, kuri\u0105 kartu su Charkivo teatro baritonais Volodymiru Kozlovu ir Mykyta Marynchaku ir choru atliko Vytautas Juozapaitis ir J. Sakalauskas.<\/p>\n\n\n\n
V\u0117liau i\u0161girdome i\u0161tis\u0105 sve\u010di\u0173 operos solist\u0173 parad\u0105: populiarias arijas atliko sopranai Olena Shyriaeva, Olena Starikova ir Yulia Piskun, mecosopranai Natalia Matveieva, Viktoria Zhytkova, tenorai Maksymas Vorochekas, Oleksii Srebnytskyi, Serhiy Hontovyi ir Romanas Gordeievas. Charkivo teatro baleto trup\u0117 pristat\u0117 i\u0161traukas i\u0161 spektakli\u0173 \u201eSpartakas\u201c ir \u201ePandoros paslaptys\u201c. Koncert\u0105 u\u017ebaig\u0117 chorin\u0117s i\u0161traukos i\u0161 ukrainie\u010di\u0173 nacionalinio repertuaro \u2013 Mykolos Lysenko operos \u201eTarasas Bulba\u201c ir Semeno Hulak-Artemovsky operos \u201eZaporo\u017e\u0117s kazokas u\u017e Dunojaus\u201c. Charkivo operos ir baleto teatro simfoniniam orkestrui dirigavo Dmytro Morozovas ir Yuriy Yakovenko.<\/p>\n\n\n\n
Antroje pasirodymo dalyje i\u0161vydome 2014 m. choreograf\u0117s Allos Rubinos pastatyt\u0105 \u201eFort\u016bnos rat\u0105\u201c pagal Carlo Orffo kantat\u0105 \u201eCarmina burana\u201c. Scenografijos ir kostium\u0173 autor\u0117 \u2013 dailinink\u0117 Nadezhda Shvets. Pagrindinius vaidmenis atliko baleto solistai Sophia Grigoriadi, Karyna Shatkovska, Antonina Vasilieva, Dmytro Vasiliev, Denys Panchenko, Konstantyn Tsapryka. Dainavo O. Starikova, O. Srebnytskyi, V. Kozlovas ir Charkivo operos ir baleto teatro choras.<\/p>\n\n\n\n
Nusilenkti ir pad\u0117koti lietuviams u\u017e \u0161ilt\u0105 pri\u0117mim\u0105 i\u0161\u0117jo ne tik ukrainie\u010di\u0173 artistai, bet ir kartu su jais \u012f Lietuv\u0105 i\u0161 bombarduojamo Charkivo atkeliav\u0119 teatro darbuotoj\u0173 vaikai. LNOBT kvietimu \u012f gastroles atvykusi ukrainie\u010di\u0173 trup\u0117 saug\u0173 prieglobst\u012f rado Daug\u0173 techologijos ir verslo mokykloje Alytaus rajone, kurioje gyvena, repetuoja ir rengiasi ateities pasirodymams.<\/p>\n\n\n\n
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Renata Baltru\u0161aityt\u0117<\/strong><\/p>\n\n\n\n Martyno Aleksos nuotr.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Prasisuk\u0119s per Lietuv\u0105, karo i\u0161 nam\u0173 i\u0161varyto Charkivo nacionalinio akademinio operos ir baleto teatro gastroli\u0173 ratas atried\u0117jo \u012f Vilni\u0173. LNOBT publika i\u0161vydo charkivie\u010di\u0173 operos ir baleto \u017evaig\u017ed\u017ei\u0173 Gala koncert\u0105 bei… <\/p>\n","protected":false},"author":2,"featured_media":2298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/2295"}],"collection":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/comments?post=2295"}],"version-history":[{"count":3,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/2295\/revisions"}],"predecessor-version":[{"id":2299,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/2295\/revisions\/2299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media\/2298"}],"wp:attachment":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media?parent=2295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/categories?post=2295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/tags?post=2295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}