{"id":3336,"date":"2023-01-26T14:14:46","date_gmt":"2023-01-26T14:14:46","guid":{"rendered":"https:\/\/choras.lt\/?p=3336"},"modified":"2023-01-26T14:14:52","modified_gmt":"2023-01-26T14:14:52","slug":"dovana-vilniui-ansamblio-cappella-concertante-vilnense-koncertas","status":"publish","type":"post","link":"https:\/\/choras.lt\/index.php\/2023\/01\/26\/dovana-vilniui-ansamblio-cappella-concertante-vilnense-koncertas\/","title":{"rendered":"Dovana Vilniui \u2013 ansamblio \u201eCappella Concertante Vilnense\u201d koncertas"},"content":{"rendered":"\n<p>\u0160vent\u0117 Vilnius, \u0161vent\u0117 ir miesto vard\u0105 savo pavadinime turintis Lietuvos nacionalinio operos ir baleto teatro baroko muzikos ansamblis \u201eCappella Concertante Vilnense\u201d, sureng\u0119s \u0161ventin\u012f pasirodym\u0105 sostin\u0117s istorin\u0117je \u0161irdyje \u2013 Valdov\u0173 r\u016bm\u0173 Did\u017eiojoje renesansin\u0117je men\u0117je. \u0160is koncertas \u2013 tai Vilniaus 700 met\u0173 jubiliejaus rengini\u0173 programos dalis.<\/p>\n\n\n\n<p>Koncerto vieta itin simboli\u0161ka minint Vilniaus istorin\u0119 sukakt\u012f: juk b\u016btent Valdov\u0173 r\u016bmuose skamb\u0117jo pirmieji Lietuvoje baroko operos pasirodymai. Suprantama, jog Vilniaus gimtadienio koncerto programa taipogi neapsi\u0117jo be arij\u0173 i\u0161 ankstyv\u0173j\u0173 oper\u0173. Sopranas Simona Liamo gausiai susirinkusiems klausytojams pristat\u0117 i\u0161traukas i\u0161 Georgo Friedricho H\u00e4ndelio \u201eAl\u010dinos\u201d (1735) ir \u201eRinaldo\u201d (1711), o mecosopranas Nora Petro\u010denko \u2013 i\u0161 to paties kompozitoriaus \u201eKserkso\u201d (1738) bei Agostino Steffani operos \u201eServijus Tulijus\u201d (1685).<\/p>\n\n\n\n<p>Pernai debiutav\u0119s LNOBT baroko muzikos ansamblis \u201eCappella Concertante Vilnense\u201d sostin\u0117s jubiliejui skirtoje programoje atliko kompozitori\u0173 Antonio Vivaldi, Johanno Adolpho Hasse&#8217;s ir Henry Purcellio k\u016brinius. Koncert\u0105 kaip visada \u012ftaigiai ir informatyviai ved\u0117 Julijus Grickevi\u010dius. \u201eKurdamas baroko ansambl\u012f, r\u0117miausi kit\u0173 \u017eymi\u0173 operos teatr\u0173, toki\u0173, kaip Monte Karlo opera Monake ar Ciuricho operos teatras \u0160veicarijoje, patirtimi. Tur\u0117ti teatre tok\u012f ansambl\u012f \u2013 didelis privalumas, nes jis teikia galimyb\u0119 ateityje LNOBT scenoje planuoti baroko oper\u0173 atlikimus\u201c, \u2013 teigia LNOBT operos meno vadovas Sesto Quatrini.<\/p>\n\n\n\n<p>Ansamblis buvo pavadintas \u201eCappella Concertante Vilnense\u201c. Pasak S. Quatrini, \u017eodis Capella da\u017enai vartojamas kalbant apie muzikinius kolektyvus, priklausan\u010dius tam tikrai konkre\u010diai vietai. Concertante pabr\u0117\u017eia, kad kiekvienas ansamblio narys gali pasirodyti kaip solistas, o tai itin svarbu baroko muzikoje. Na, o Vilnense \u2013 senoviniu stiliumi lotynizuotas miesto vardas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0160vent\u0117 Vilnius, \u0161vent\u0117 ir miesto vard\u0105 savo pavadinime turintis Lietuvos nacionalinio operos ir baleto teatro baroko muzikos ansamblis \u201eCappella Concertante Vilnense\u201d, sureng\u0119s \u0161ventin\u012f pasirodym\u0105 sostin\u0117s istorin\u0117je \u0161irdyje \u2013 Valdov\u0173 r\u016bm\u0173&hellip; <\/p>\n","protected":false},"author":2,"featured_media":3338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/3336"}],"collection":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/comments?post=3336"}],"version-history":[{"count":1,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/3336\/revisions"}],"predecessor-version":[{"id":3337,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/3336\/revisions\/3337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media\/3338"}],"wp:attachment":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media?parent=3336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/categories?post=3336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/tags?post=3336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}