Europos S\u0105jungos \u201eErasmus+\u201c projekt\u0173 programos chorved\u017ei\u0173 savi\u0161vietai d\u0117ka spalio \u2013 lapkri\u010dio m\u0117nesiais Vilniuje vie\u0161\u0117jo Bretan\u0117je (Pranc\u016bzija) \u0161vietimo sektoriuje dirbanti, \u012fvairiems chorams vadovaujanti Marie Audroing. Pagal \u0161i\u0105 ma\u017eos apimties partnerys\u010di\u0173 kult\u016brini\u0173 main\u0173 program\u0105 \u012f Lietuv\u0105 ji atvyko pirm\u0105 kart\u0105. Kaip pati pasakojo – kelti kvalifikacijos, susipa\u017einti su lietuvi\u0161kais darbo su choru metodais, \u012fgyti nauj\u0173 patir\u010di\u0173, susipa\u017einti su Lietuvos chorine kult\u016bra ir \u0161alies kult\u016bra apskritai.<\/p>\n\n\n\n
Daugiausia laiko Marie praleido su \u201eDobilu\u201c (vad. Ignas Garla) ir Vilniaus universiteto student\u0173 chorais (vad. Rasa Gelgotien\u0117, chormeisteris I. Garla), taip pat steb\u0117jo Bernardin\u0173 ba\u017eny\u010dios vaik\u0173 choro “\u0160v. Pranci\u0161kaus pauk\u0161teliai” (vad. Egl\u0117 Ignatavi\u010dien\u0117, Sonata Stakionis) repeticijas. Vie\u0161nia d\u017eiaug\u0117si su\u017einojusi daug jai nauj\u0173 ir nauding\u0173 choro ap\u0161ilimo metodik\u0173 ir steb\u0117josi, kad vienos repeticijos metu chorai mokosi\/tobulina de\u0161imtis k\u016brini\u0173. “Mes paprastai vien\u0105 piln\u0105 repeticij\u0105 skiriame vienam k\u016briniui \u012fsisavinti, bet a\u0161, gr\u012f\u017eusi namo, pabandysiu daryti kaip j\u016bs”, – \u0161ypsojosi Marie.<\/p>\n\n\n\n
M. Audroing tur\u0117jo galimyb\u0119 i\u0161bandyti save dirbdama su “Dobilo” balsais, \u0161iek tiek ir su visu choru. Ji \u0117m\u0117si i\u0161mokyti \u201eDobilo\u201c choristus pranc\u016bzi\u0161kai giedoti \u201eNoel Bourguignon\u201c (\u017e. ir muz. Bernardo de la Monnoye (1641-1728) – Burgundijos regiono kal\u0117din\u0119 giesm\u0119. Nors pranc\u016bzi\u0161ka tartis net ir po daugelio repeticij\u0173 (Marie labai kantriai mok\u0117 lietuvi\u0173 kalbai neb\u016bding\u0173 gars\u0173 tarimo) i\u0161liko gana lietuvi\u0161ka, vis d\u0117lto vadovas Ignas pa\u017ead\u0117jo j\u0105 \u012ftraukti \u012f choro kal\u0117din\u012f repertuar\u0105.<\/p>\n\n\n\n
Marie, kaip ir “Dobilo” choristai, lapkri\u010dio 21 d. dalyvavo Kult\u016bros asambl\u0117jos protesto \u201cMes esame kult\u016bra\u201c mitinge \u201cKokios valstyb\u0117s mes norime?”. “Buvau sujaudinta j\u016bs\u0173 po\u017ei\u016brio \u012f savo kult\u016br\u0105 ir su\u017eav\u0117ta j\u016bs\u0173 kova u\u017e j\u0105, – sak\u0117 Marie (nuotr.) – man tai buvo labai nauja ir svarbi patirtis.”<\/p>\n\n\n\n
Marie vie\u0161nag\u0119 Vilniuje u\u017ebaig\u0117me \u201eNoel Bourguignon\u201c ir G. Faure Messe de Requiem “Libera me” \u012fra\u0161u. Dirigavo M. Audroing, akompanavo Ignas Garla.<\/p>\n\n\n\n
D\u0117kojame Tau, Marie, u\u017e nuo\u0161irdum\u0105, pastangas ir draugyst\u0119. S\u0117kmingos kelion\u0117s ir gal b\u016bt iki kit\u0173 susitikim\u0173! <\/p>\n\n\n\n
Dr. Irena Lamsodien\u0117, choras \u201eDobilas\u201c<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Europos S\u0105jungos \u201eErasmus+\u201c projekt\u0173 programos chorved\u017ei\u0173 savi\u0161vietai d\u0117ka spalio \u2013 lapkri\u010dio m\u0117nesiais Vilniuje vie\u0161\u0117jo Bretan\u0117je (Pranc\u016bzija) \u0161vietimo sektoriuje dirbanti, \u012fvairiems chorams vadovaujanti Marie Audroing. Pagal \u0161i\u0105 ma\u017eos apimties partnerys\u010di\u0173 kult\u016brini\u0173… <\/p>\n","protected":false},"author":2,"featured_media":7251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/7245"}],"collection":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/comments?post=7245"}],"version-history":[{"count":11,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/7245\/revisions"}],"predecessor-version":[{"id":7298,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/posts\/7245\/revisions\/7298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media\/7251"}],"wp:attachment":[{"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/media?parent=7245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/categories?post=7245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/choras.lt\/index.php\/wp-json\/wp\/v2\/tags?post=7245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}